Saturday, March 30, 2013

Ally: 60 Hour Pose at ARA


I had the extreme pleasure of working on a figure for 60 hours, the longest time I have ever had in front of a model.  Though this falls far short of the 100 hours full time students at ARA are afforded, I feel that, with the assistance of my fabulous instructor, Emmy DeMusis, I was able to accomplish much.  I was extremely excited about the likeness I achieved, but I wish I had more time to render the figure. I focused on form, value, and the transitions of Ally's head.  I actually spent more time on the drawing than the 60 hours with the model, because I filled in holes, and smoothed out values during downtime.  I used a 2B, HB (last 40 minutes of the pose) on Fabriano Artistic, Hot Pressed, 140.  I tried a brush for pushing in a light value, but wasn't comfortable with it.  Furthermore, Ally was an amazing model!!  She has a great head, and pleasant demeanor which made for an all around amazing experience.

Basic Steps:

1.  Construct (39 hours)

2.  Transfer and establish a base tone for darks

3.  Key the drawing by establishing the darkest dark

4.  Work on form shapes and values

5.  Transitions


Thursday, January 31, 2013

Thursday, January 24, 2013

Friday, January 18, 2013

Thursday, January 10, 2013

Friday, December 28, 2012

Today's Study: Glass

Today I decided to spend a few hours observing glass.  I have painted this vintage Chanel bottle before, but hated the composition.  I wanted to achieve the feeling of glass, but was not too successful.  I, again, did not pay close attention to the drawing.  Instead, I focused on the material.  I may touch it up a bit tomorrow, but doubtful as this was just a study.


Thursday, December 27, 2012

Garlic Study, ETC...



This morning I painted garlic for 2 hours.  Like yesterday's eggplant, I studied value, hue, and form.  It was more challenging to create the form of the garlic than the eggplant, but still not too difficult.  What I struggled with was value shifts.  Part of this was a result of only using a palette knife, and my canvas was only 8X10.  In the end, I handled the paint well, matched colors, but the overall result is somewhat messy.


After I had enough of looking at garlic for one day, I went back to yesterday's eggplant, and touched it up a bit.  Still not great, but I have to remember it is only a two hour study, just to keep myself using paints.  I'll leave extended, laborious subjects for ARA.



Then, yet again, I added to the shoes that I have been working on for over a year.  I think this painting is just about complete.  There are a  few things I want to do to it, but overall, it is better than before.